The curtain came down last night on the 2012 Glasgow Comedy
Festival, the 10th such event, and as usual across the three week
festival there was a wide variety of comedy on offer.
The Glasgow Comedy Festival has come a long way since its
inception back in 2002, and is one of the biggest comedy festivals around.
Rather bizarrely though many Glasweigans remain unaware of its existence even
though there were around 300 shows at 40 different venues within the city.
Those 300 or so shows include the high profile, big venue,
gigs from the likes of Dara O’Briain, who played two nights at The Armadilo, Sarah
Millican and Rory Bremner, but also provides local acts to showcase their
talents.
It’s not all Stand Up either. The first event that we popped
along to was a recording of the soon to air on Radio Scotland ‘The Guessing
Game’, a comedy panel show hosted by Clive Anderson, who seems to have slipped
off the radar a little since upsetting The Bee Gees on TV a number of years
ago.
As is the nature with this kind of thing ‘The Guessing Game’
was a bit hit and miss and to be honest I’ll not be tuning the dial on by
wireless to Radio Scotland when it airs. It was though a pleasant enough way to
spend an evening and thanks to the splendid Rob Rouse we were left with the
equally splendid image of a drum kit made out of cats.
We also took the opportunity to take in one of Arnold Brown’s
Comedy Interviews at The Tron Theatre. It was a strange night, not least due to
an injury to a member of the audience when a camera fell on them.
I’m far from convinced that Brown’s laconic delivery, which
is a bit of a slow burner, is best suited to an interview format. We left
feeling a bit short changed for our £14.50 (tickets booked too late to take
advantage of the two for one offer), quite keen to try and catch Phil Differ’s
stand up and altogether unimpressed with the world view of Dorothy Paul. A more
skilful interviewer would have steered her away from the subject of Ireland and
Scottish Independence.
Returning to Stand Up, the Blackfriars Basement is one of
the best comedy venues in Glasgow and we took in a couple of shows, at either
end of the festival, there.
First up was Jarred Christmas. The New Zealander gave a high
energy performance, the pace of which simply never let up. Jarred takes audience participation to new
levels and a fantastic evening finished with Jarred stripped to the waist
dancing to ‘Back in the USSR’ while we fired foam bullets at him.
Jarred Christmas |
Although he is now based in Manchester, Scott Agnew has for
some time been one of our favourite Glasweigans on the comedy circuit and it
was his ‘Project: Couldn’t Give a Fuck’ that rounded the festival off for us.
Scott Agnew |
Scott’s material, and much of this was making its debut at
Blackfriars, may be close to the bone at times but one of his strengths is his
engaging personality. He is an excellent, self deprecating, storyteller and
while you do find yourself laughing at his stories (how could you not?) you
feel real empathy with him at the same time.
Another favourite from the Glasgow/Scotland circuit is Mark
Nelson and he didn’t disappoint at the Oran Mor.
Mark Nelson |
A confusion with the start time meant a mad dash across
Glasgow for us and if truth be told the news that there was a support act wasn’t
greeted, by us, with much relish.
Kai Humphries was, therefore,
an unexpected delight. It is almost impossible not to like Kai who established
a tremendous rapport with the audience and more than nicely warmed things up for
Mark Nelson.
A tweet from Mark earlier in the day revealed that he had
been violently sick. If he was nervous, or in any way suffers from stage
fright, it certainly wasn’t in evidence when he took to the stage. His
performance, as always, was polished and perfectly timed. He is one of the few
comedians that can have me sore with laughter simply with a well timed pause.
Why Mark, a former Scottish Comedian of the Year, isn’t huge and playing
multiple sell out nights at the SECC is a mystery to me.
Why Dara O’Briain is playing to sell out crowds in big
venues is less of a mystery. Like Mark Nelson the night before he had me sore
with laughter at times. I’m sure that it’s not, but his act seems so effortless
and almost as if he has just rolled up to have a blether with people.
That almost brings me to an end in my round up of the
Glasgow Comedy Festival of 2012 but I’m going to finish with one moan. In
previous years a staple of our Comedy Festival menu has been the Lunchtime
Comedy Chat Show hosted by the previously mentioned Scott Agnew and another
excellent local talent, Des Clarke.
This year we made it a long to just one. No Scott and Des
this year, instead the one we made it along to was more than capably hosted by
Charlie Ross.
When I say we made it a long to just one, we did in fact
head to The Corinthian on the final Sunday for one more round of sandwiches and
comedy before the end of the festival only to find, after we had climbed about
8 flights of stairs, that the show had been cancelled. No mention of this on
the Comedy Festival website or on their twitter feed. We at least hadn’t paid
in advance but the punter in front of us had. It was a slightly disappointing
note at the end of another highly successful Glasgow Comedy Festival. The countdown
to next year’s starts now.
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